A brilliant read for fans of literary, speculative and dystopian fiction, one that I would highly recommend.

Love Reading

Goes in directions that are unexpected as they are profound. Ground-breaking speculative fiction that takes in big ideas about the nature of society and capitalism. Gripping from start to finish, this is a terrific read.

The Big Issue

Forceful and raw, Bourke conveys each movement and moment with skill. A bleakly accurate dystopian story of obeying rules and leading linear lives.

The Irish Independent

Adventurous and thoughtful, bang up to date in its concerns. It’s surprising that there is so little recent fiction to compare it with. A writer intent on beating out his own path.

Dublin Review of Books

A provocative and intelligent commentary on the ways in which our contemporary societies are being manipulated by over-empowered economists and analysts who seek the Holy Grail of the ultimate algorithm. And like all dystopian fictions, it has much to say about how that future is now.

Books Ireland Magazine

Disturbing but sublime – an impressive debut.


A must-read for Dystopian fans.

Meath Chronicle

It’s unflinching in its descriptions of life and beyond and doesn’t hold back from ferocious human emotion. Imaginative, gripping and compelling, you’ll never again complain about being stuck in a queue when you’ve finished reading this.

Tuam Herald

Bourke’s world building is epic from the onset … the world of Line is so clearly reflective of our own — people living and working in ways that simply do not make objective sense once examined – that there isn’t too heavy a requirement for a suspension of disbelief…a thought-provoking, plot and idea-driven debut that will have this reviewer seeking out the author’s future work.

Sunday Independent

” A stellar and blazing debut.”

Totally Dublin

A book well worth waiting for.

Val Nolan

Interzone Magazine

“An enthralling and wonderfully high-concept dystopian debut set in a queue that never moves—it’s an immersive literary novel that smartly bends themes of bureaucracy, migration, conformity and disaster to a stark, speculative vision.”


Fans of dystopian fiction will lap us this…sharply funny and astute.

The Irish Times

A high-concept debut about a dystopian queue reads like a lost fiction classic…genuinely reminiscent of Richard Matheson and Philip K Dick…vastly different to anything coming out in the Irish literary landscape.

The Sunday Times

At once appalling and darkly familiar.

The Irish Independent

The hat has to come off to Bourke here…an entertaining and thought-provoking read.


Brilliantly original…a thought-provoking, beautifully written dystopia which stayed with me long after reading it.

Kieran Fanning

“Line is an extraordinary novel – gripping, unsettling, brilliant.”

Roddy Doyle

“A powerful, discomfiting fable of uncertainty and failure, poetically crafted, politically pointed. From the brass tacks of language we construct to make ourselves feel stable, to the artifice of routine built from obligation, Line is a Ballardian take on the near-now that shows
us how fleeting our idea of absoluteness really is.”

June Caldwell

“Line is a modern parable of the most ambitious kind. A Grapes of Wrath for the age ofdigital capitalism.”

Rónán Hession

“Beautifully written, terrifyingly intelligent … shot through with poetry, political nous and a darkly comic sensibility. Queuing up for a loaf of sourdough will never feel quite the same again.” 

Hilary Fannin

“Dystopian and hilarious and smart as hell.”

Sophie White

“Ambitious and imaginative … can land real sentiment, sincere and clearly articulated.” 

The Poetry Ireland Review

An “audacious first collection that marks Niall Bourke out as a writer to keep an eye on, as he keeps his beady eye on us.” 

The North Magazine

“Sometimes, through no fault of anyone else, I find myself getting bored of knowing what to expect when I pick up a new collection. It takes a radical formal gesture to really refresh things, and that’s what I found in Niall Bourke’s Did You Put the Weasels Out? A surreal Onegin, endlessly, viciously playful, reinventing itself in every sonnet and sonnet-footnote like a linguistic Mandelbrot set. And what might have come off as a sophisticated but purely academic exercise is instead governed by a scabrous, self-effacing wit and a deep sense of love and its absurdity, which anchors every flourish into prose poetry and free verse and runs throughout the appendices and index. It’s a debut so energetic, so bursting with ideas and insistent music, it reminds you why you started writing in the first place and, whether you like it or not, that you won’t be able to stop.” 

Luke Kennard

“Should you happen to have weasels to put out or bring in, actual or metaphorical weasels, you can entrust them to Niall Bourke — and all the better should they be weasels with an appreciative eye for the human comedy, its quirks and its dark corners. Genuinely innovative in its bravura mastery of form, a genre-breaker that comes at the reader from some alien point of the compass, HAVE YOU PUT THE WEASELS OUT? is impressively sure of itself — and it earns the right to be. Here is a significant debut.” 

Theo Dorgan

“London-based Kilkenny man Niall Bourke can hardly be accused of repetition or lack of originality…Entertaining, occasionally echoing At Swim-Two-Birds and sometimes Rubberbandits…Niall Bourke fails to disappoint.”  

The Irish Times

“Well now, here’s a curio…the tragi-comic story of an Irish emigrant’s blossoming mid-life crisis, a re-imagining of the legend of Cú Chulainn and a formal experiment which begins as a series of Onegin sonnets and coagulates into a wild jumble of indices, footnotes and poems-within-poems. Ribald, raw and touchingly melancholic, it’s a work which veers between bathos and mythic grandeur at the turn of a page. At the very least, the ambition of the thing is impressive. Bourke is an unquestionably talented poet. He flits deftly between forms and fills his verse with new-minted images…Although Bourke’s milieu is chiefly the familiar and the everyday, a sense of distortion pervades, making many of his poems feel as half-drunk and bulbous as the pub-addled supporting cast of boozers, tramps and disgraced geologists. This is a restless debut brimming with ideas…A dive inside is heartily recommended.” 

Nick Garrad, Storgy

“Like Flann O’Brien, Bourke makes extensive and eccentric use of footnotes throughout – often the footnotes themselves have footnotes … as you proceed you become attuned to the style and it adds layers of richness and depth to the poems … Bourke takes layering to a whole different level in two poems which are given lives of their own by thinking/speaking verse in cartoon bubbles (again bringing O’Brien to mind in At Swim-Two-Birds where internal characters are given unexpected life in relation to their author, but here it is the Pushkin sonnets themselves which appear to be coming to life, as post-modern an idea as anything I’ve ever read).” 

Chris Edgoose

“Niall Bourke’s poetry novel Did You Put The Weasels Out? was a hard one to review … because there were so many lines that I wanted to quote that I nearly ended up quoting the whole darn thing … Even the numerous footnotes are in verse. It is an impressive undertaking and is written with aplomb.” 

Giles Turnbull

“An oddball collection that staggers through the fringes. I’m still not sure why it was sent to me.” 

Dr. Kenneth Grogan

“I am not endorsing this. It has nothing to do with wind turbines.” 

Jack Brett, Ecopower Developments